Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet Related Paintings of Diego Velazquez :. | Venus at her Mirror | Philip IV Hunting Wild Boar | Queen Isabel on Horseback (detail) (df01) | Juan Mateos | Democrite (df02) | Related Artists:
Master of the Legend of St. Lucy (fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.
Giuseppe BottaniItalian , Cremona 1717- Mantova 1784
was an Italian painter active in the Baroque period. He was born in Cremona. In Florence, he was a pupil of Vincenzo Meucci and il Puglieschi. He moved to Rome to work under Agostino Masucci, then he returned to Cremona after 1745. In 1769, he was named professor of painting and director of the Accademia di Belli Arti in Mantua. He was known for painting landscapes in the style of Gaspard Poussin, and figures in the style of Maratta. He painted a St. Paola taking leave of her Attendants as being in the church of SS. Cosmo e Damiano at Milan.
ivan generalicIvan Generalic (December 21, 1914--November 27, 1992) was a Croatian naive art painter.
Generalic was born in Hlebine near Koprivnica. In elementary school, painting lessons were his greatest joy and as a child he used to earn money. He mostly drew with pencil on paper bags and some of these sketches were seen by Krsto Hegedusic, at the time (1930) just a student of the art academy, later a professor. Hegedusic was impressed with Generalic's work and organized Generalic's first public art exhibition, held in 1931 in the Zagreb Art pavilion. Positive critiques and contacts at the time led to a new era of not only Croatian, but also world art as well.
After World War II, in 1945 he became a member of ULUH (society of Croatian artists). In 1953 he exhibited in Paris, where he lived and painted for a few months. In 1959 he painted The Deer Wedding - his most valuable work, according to followers of the Croatian naïve art world.